Four years ago I was asked to photograph the first of many structural beams for the National September 11 Memorial and Museum as they rolled out of Owen Steel Company Inc., in Columbia, S.C., on September 11, 2007. As I arrived on location along with a film crew just before sunrise the workers at Owen Steel were already busy preparing the rigging to lift two massive I-beams onto a 50-foot flat bed trailer for their journey across the United States. There had been many sleepless nights leading up to this moment as a sense of tension and accomplishment filled the air of the massive building, while officials with the NS11MM met with executives of Owen Steel to witness this process. After the beams were lowered onto the trailer and strapped into place, all of the employees made their way to the parking lot to watch the tuck depart and begin to make its way through downtown Columbia toward the unveiling at Finaly Park.

The rest of the morning was filled with incredibly intense emotion as police officers, firefighters, and family members of those who lost their lives in the attacks on the World Trade Center arrived to see the beams first hand. One family member even remarked how seeing and touching the gleaming white steel beams on a truck eventually bound for Ground Zero was incredibly important to them as a means of moving forward.  Its pretty amazing to think that in just 24-hours that all of the victims families might feel this same way, and in 48-hours when the NS11MM opens to the public everyone will get to experience that feeling for themselves.

For me this was an extremely meaningful event to be asked to photograph, and because of that I decided to capture these images in a very reactionary manner to convey the sense of awe and pride that I felt while witnessing this process. The images were originally captured in color using Canon 20D DSLR cameras and were converted to black and white in post production. I chose to make this conversion because I felt that it helped convey what I felt the first time I saw these freshly painted, gleaming white beams surrounded by the grit of an industrial metal fabrication facility, and the symbolism of that juxtaposition.

We would love to hear your thoughts, feelings and reactions to these images, as well as your reaction to finding out that the steel work for the National September 11 Memorial and Museum was handled by a company located right here in Columbia, S.C.  Feel free to share below.

Images are available for editorial license in our National September 11 Memorial & Museum archive gallery.

On Wednesday I photographed the funeral of Helen Hill, a documentary film maker from New Orleans, La., who was murdered in her home just six days earlier. What most people know by now is that Hill, a talented film maker, who has become an example of the escalating violence in “The Big Easy,” was one of six people murdered in a 24-hour period in hurricane ravaged city, which she loved. But what has been left out of the network news reports, and what I learned throughout the day, is that she was a wife, a mother, a daughter, a sister, and a friend to almost anyone she met.

As the Hill’s casket was carried into St. Paul’s Lutheran Church, I caught a glimpse of her 2-year-old son Francis Pop, in the arms of his father and Hill’s husband, Dr. Paul Gailiunas, who was also shot in the same incident in which Helen was killed. As they walked past me, I had to put the camera to my eye in order to avoid making eye contact. However as they passed where I was standing to enter the church, Francis’ eyes locked with my lens, and I couldn’t look away. There was something so innocent about his gaze in my direction, which wasn’t the typical stare of disgust that I am used to receiving as I photograph a funeral. As he continued to stare, I framed the image, of him looking over his fathers shoulder, and took a picture. His father turned to kiss him on the head, another picture, and another, and another, and so on. The few moments the two were standing on the steps of the church seemed to last an eternity.

As I walked up the stairs to enter the balcony of the church my mind jumped back in time, to three hours earlier, where a crowd gathered outside of a small independent theatre, before the funeral. Friends and family lined the block as they waited to enter the dark screening room for a viewing of Hill’s short films, as the governor of South Carolina was being sworn in across the street. As the the services began Hill’s brother, Jacob D. Hill IV spoke to a the crowd now gathered inside of St. Paul’s Lutheran Church on Bull St., saying “I think she’s laughing seeing all her pacifist, left-leaning activist friends gathering across the street from where a Republican governor is being sworn in with F16s flying overhead.” More stories from friends, and family followed, all describing the same compassionate, fun loving, artistic person, that I began to wish I had the chance to meet.

As the service ended, Hill’s friends and family spilled onto the street, still wiping tears from their eyes, comforting each other, but all seemed to be overcome with athe spirit of compassion, in the memory of someone they loved dearly. As the crowd began to break up for the procession to the cemetery, Christine Gump, a friend of Helen’s, who flew to Columbia, from Los Angeles, removed the jacket, that was covering her left arm where a brightly “chicken embryo” tattoo had been freshly inked into her skin. “Eight of us went and got these on Sunday… We wanted to do it to remember her,” Gump said.

As I walked back to my car, physically and emotionally drained, I couldn’t help but feel happiness, because even though I never had the chance to meet Helen, her spirit, which lives on in her friends and family gave me a brief, and fleeting glimpse into how wonderful of a person she really was. Even posthumously, Helen touched my life.

Helen Hill Memorial Website
b.rox:Life in the Flood Zone
Videos of Helen Hill on You Tube
NPR Commentary by David Koen